Oakland: Fred Rogers
Fred Rogers
BORN: 20 March 1928.(53)
- Dear Mr. Chad,
Your beautiful note about our "Windstorm in Bubbleland" opera really
brightened the day for all of us here. We deeply appreciate your warm and
enthusiastic comments, and we're grateful that you took the time to write.
Best wishes from all of us in the Neighborhood.
Sincerely,
Fred Rogers
- Mr. Rogers'
Biography.
- Every day he takes off his shoes, puts on his sneakers. The
ritual--as in a church service--has a way of lulling you. Every day you
know what to expect. This place is dependable. This place is safe. (56)
- All "Mister Rogers' Neighborhood" shows look simple. But for every
minute of air time, there are about three hours of in-studio work. (57)
- The neighbors rarely appear without telephoning first, then are
greeted extravagantly when they arrive. And no one leaves without saying
goodbye. Topics come and go in the same deliberate way--introduced,
explained, restated, and finally dismissed. This gives the show a languid
pacing that can be infuriating to adults but is reassuring to children. (58)
- It was just more than a year ago that the Smithsonian
enshrined one of Fred Rogers' trademark sweaters as part of its permanent
collection. (59) Around the
corner, past Fonzie's jacket and across from Joe Louis' boxing gloves,
is another piece of clothing with special meaning for Pittsburghers,
Roberto Clemente's Pirates jersey. (60)
- Library science first ventured into this Neighborhood in 1975, when
Margaret Hodges asked Fred Rogers to donate his archives to Pitt. Hodges,
now a SLIS professor emerita, knew
Rogers from her days as a storyteller on the fledgling WQED-TV. Rogers
also knew Pitt from his work with the School of Medicine's Margaret
McFarland, the senior consultant to "Mister Rogers' Neighborhood" on child
development issues.
Hodges persuaded Rogers to join SLIS as an adjunct faculty member and to
contribute his tapes, scripts, books, records, even puppets. The
puppets--backup models, of course, since the program is still in
production--were loaned to the Pittsburgh Children's Museum for long-term
display. Other non-videotape items have remained at Rogers' Family
Communications Inc. offices until space becomes available at SLIS. (61)
- "There is a universal truth I have found in my work," he said.
"Everybody longs to be loved. And the greatest thing we can do is let
somebody know that they are loved and capable of loving." (62)
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