North Side: The Andy Warhol Museum
Andy Warhol
BORN: 6 August 1928.(8)
DIED: 22 February 1987.(9)
BURIED: St. John the Baptist
Byzantine Catholic Church Cemetery, Castle Shannon.(10)
Though Andy Warhol and his family lived in the Hill District (12) and in Oakland (13),
the Museum in which he is memorialized is on the North Side
at 117 Sandusky Street:
- The Andy Warhol Museum.
The collections of The Andy Warhol
Museum include drawings, prints, paintings, sculpture, film, audio
and video tapes, and an extensive archives which consists of ephemera,
records, source material for works of art, and other documents of the
artist's life. Together the art and archives make The Andy Warhol Museum
the most comprehensive single-artist museum in the world.
Over the course of his career, Andy Warhol transformed contemporary
art. The power of his work comes from its concentration on fundamental
human themes--the beauty and glamour of youth and fame, the passing of
time, and the presence of death. Employing mass-production techniques to
create works, Warhol challenged preconceived notions about the nature of
art and erased traditional distinctions between fine art and popular
culture. (14)
- The 'Real' Andy Warhol Drops In at Pitt.
Carnegie Tech's most celebrated dropout dropped in last week, not, as it
happened, at his alma mater, but at the University of Pittsburgh.
Andy Warhol, the impressario of the Velvet Underground, the
painter laureate of the Campbell's Soup can, and the avant-gardsman of
"Chelsea Girls," and other naughty films, appeared last Tuesday before a
SRO crowd in the Student Union ballroom.
For an hour the crowd sat in darkness watching excerpts from Warhol's new
25-hour movie, "Stars." It was a dazzlingly pointless affair, in
kaleidoscopic color, filled with double exposed images and muddled
dialogue, rambling through episodes of sex and drugs until it concluded
with a long scene in which a twitching young man delivered a halting but
surprisingly eloquent denunciation of the Vietnam war.
Then Andy, accompanied by two "collaborators"--a modly dressed young man
named Paul Morrissey and a strikingly beautiful girl named
"Viva"--stepped to the podium to answer questions.
What followed might be best described as a mutual put-on, with the
audience and the Warhol trio competing for the upper hand. There was even
a question whether Andy himself was a put-on.
"How do we know that's the real Andy Warhol," asked one student.
Morrissey answered that one, assuring the audience that they were indeed
looking at the real Warhol. Later, Morrissey explained that on several
previous college appearances, Andy had been represented by a look-alike
stand-in. "Andy's very shy," he said.
Andy himself, real or not, did little more than stand-in. A slight,
almost frail-looking person with tousled gray hair growing long over his
ears, he stood quietly, peering distantly through dark sunglasses. Even
when he did answer questions he hardly spoke at all.
"Isn't it true you are from here," asked one student.
"No," replied Warhol. "I'm from Philadelphia."
"Is it true you failed to graduate from Carnegie
Tech because you failed to take physical education," asked another.
"Yes," said Andy.
"Why did you come here," came another question.
"I don't know," said Andy.
"Why did you take up films?"
"I bought a camera."
Another questioner asked Andy to say "a few words" about his film, "My
Hustler." He did just that.
"We made it in an afternoon. It takes an hour and forty minutes. It's two
reels. It was very easy."
Many of the questions were answered either by Morrissey or by Viva, who
more than made up for what Andy may have lacked in talent for repartee.
To one questioner, who said he had seen "Chelsea Girls" and "didn't see
anything," she suggested that "you get your eyes checked; you may need
glasses."
Another questioner, pointed out by Viva as "this young Hippie," stood up
to ask "Does Nico go both ways?" (Nico, for the uninitiated, is a singer
in the Velvet Underground, acted in "Chelsea Girls," etc.)
"I don't know," replied Viva. "For two months she never came my way.
Maybe that's the third way. Why do you ask?"
"I'm perverted," answered the Hippie.
Several questions later Viva returned to that subject and observed that
"as far as I know Andy doesn't go either of the three ways--we think he's
a priest."
Several students asked technical questions about the film they had just
seen. One wanted to know how many seconds elapsed between words on the
sound track and the obviously out-of-phase images on the screen.
"It's not synchronized," answered Morrissey. "It's a bad print."
Answering another question, Morrissey explained that the film had not
been edited, but that sections of it had been superimposed over one
another "so we could show it all."
"Do drugs help the appreciation of art," asked a student.
"The kids in the movie just turned on for the camera," replied Morrissey.
"Drugs is a dead issue now," he went on. "It's sort of like alcohol and
vitamins. The drug thing is a little corny, but the film shows a little
what it was like in 1967."
Another student wanted to know what the Warhol film makers did for
money, and Viva took over again.
"I've got a sugar daddy," she said. "Andy has a few paintings he sells.
But it's hard. I have dinner with a lot of people. I don't know how I
keep my figure."
About that time the questions and answers began to get out of hand, and
Morrissey stepped in to terminate the encounter.
"We hope you've been satisfied," he said. "We wanted to show you what we
do and tell you that we don't have anything to say." (15)
- When a classmate asked him about his life's ambition, Andy replied
that he wanted to teach children how to play. (16)
Photonote
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Menu.